Jazz Changes

Herbie Hancock, music · Introduced on his album Empyrean Isles (Blue Note, 1964)

Cantaloupe Island

Cantaloupe Island is a 16-bar groove tune in F minor by pianist Herbie Hancock, first recorded in 1964. Players love it for three chords of four bars each and a short, repeated piano riff. You will hear it at jam sessions, in student bands and under a 1990s hip-hop hit.

▶ Plays the whole path in order, one recording after another.

  1. 1 Learn the song Herbie Hancock
  2. 2 Hear the composer's own arrangement Donald Byrd
  3. 3 Hear it on violin Jean-Luc Ponty
  4. 4 Hear it played solo Herbie Hancock
  5. 5 Hear it with words Mark Murphy
  6. 6 Hear a funk band remake Herbie Hancock
  7. 7 Hear the 1964 band again Herbie Hancock
  8. 8 Hear it on guitar Lionel Loueke

How the tune works

F minorusual key
16 barsA · B form
F m → D♭7 → D m → F mkey centers

The tune runs 16 bars on three chords, each held for four bars. Fm7 opens the chorus, D♭7 follows, then Dm7, and Fm7 closes it before the chorus starts again. D♭7 and Dm7 each bring in notes from outside F minor, so bars 5 and 9 are where the sound changes most. The chart is a vamp: the same chord stays for four bars at a time, so soloists can treat each chord as its own scale, F Dorian over Fm7, D♭ Lydian dominant over D♭7 and D Dorian over Dm7.

Each box is one bar of 4/4. The chorus has four lines of four bars, and each line holds one chord. Play it straight through and repeat. A tag marks the bar where each new chord area starts.

Key F minor
Abars 1–8
Bar 1: F minorFm7
Bar 2: Fm7
Bar 3: Fm7
Bar 4: Fm7
Bar 5: D♭ dominantD♭7
Bar 6: D♭7
Bar 7: D♭7
Bar 8: D♭7
Bbars 9–16
Bar 9: D minorDm7
Bar 10: Dm7
Bar 11: Dm7
Bar 12: Dm7
Bar 13: F minorFm7
Bar 14: Fm7
Bar 15: Fm7
Bar 16: Fm7

Taken from a bass-guitar lesson that gives the 16 bars as four-bar sections in F minor: F minor 7, D♭7, D minor, F minor 7. The Jazz-circle harmonic analysis agrees on the order and bar count, and writes the second chord as D♭9. Jazz Guitar Comprehensive lists the same three chords, gives the form as two sections of eight bars, and lists the key as F major. This is not a printed lead sheet, so compare it with the one you play from and with the recording.

Source: eBassGuitar: How To Play Cantaloupe Island

Listen in this order

Play all 8 on YouTube ↗

Start with Hancock's 1964 quartet, then hear his own arrangement for Donald Byrd. The next versions add a violin, a solo electric piano, a singer, a funk band, the 1964 rhythm section reunited and finally a guitarist.

  1. Step 1 · Learn the song Now playing

    Herbie Hancock (Quartet, with Freddie Hubbard) 1964

    Empyrean Isles

    F minor · 4/4 · straight eighths · The first recording

    Listen for
    The groove rests on a repeated piano vamp, and the chorus lasts 16 bars with a new chord every four bars: Fm7, D♭7, Dm7, then Fm7 again.
    Try this
    Play one chord for each four-bar block, in the order Fm7, D♭7, Dm7, Fm7. Count the bars out loud until you stay with the recording for two full choruses.
  2. Step 2 · Hear the composer's own arrangement Now playing

    Donald Byrd (Septet, arranged by Herbie Hancock) 1964

    Up With Donald Byrd

    Arranged by Hancock for another leader

    Listen for
    A vocal group joins the instruments. Hancock plays piano and Ron Carter plays bass, as on the first recording.
    Try this
    Play the same four-chord plan with one sustained chord per bar. Keep count of the 16-bar choruses while the recording runs.
  3. Step 3 · Hear it on violin Now playing

    Jean-Luc Ponty (with the George Duke Trio) 1969

    The Jean-Luc Ponty Experience with the George Duke Trio

    Violin-led version

    Listen for
    Violin plays the lead role over keyboards, bass and drums, and both Ponty and Duke get room to solo. The track runs 8:28, nearly three minutes longer than the 1964 original.
    Try this
    Play the four-chord plan and improvise a short line on each chord using only its chord tones (Fm7: F, A♭, C, E♭). If improvising is new, play just the root of each chord in a steady rhythm.
  4. Step 4 · Hear it played solo Now playing

    Herbie Hancock (solo) 1974

    Dedication

    Solo electric piano and synthesizer

    Listen for
    One player, with no band, on electric piano and synthesizer. The track lasts 13:55.
    Try this
    Play the four-chord plan alone on one instrument. Keep a steady pulse with one hand and add the chords with the other.
  5. Step 5 · Hear it with words Now playing

    Mark Murphy 1975

    “Canteloupe Island”, Mark Murphy Sings

    Sung with lyrics

    Listen for
    A voice carries the tune and the words are Murphy's own. The track runs 5:35, close to the length of the 1964 original.
    Try this
    Hum or sing the melody you already know along with the recording. Then play only the root of each chord, four bars each: F, D♭, D, F.
  6. Step 6 · Hear a funk band remake Now playing

    Herbie Hancock (Group) 1976

    “Cantelope Island”, Secrets

    reggae and jazz fusion · Remade for a funk band

    Listen for
    A full band plays the tune: saxophone, guitar, electric bass, drums and percussion, with Hancock on keyboards. The groove blends reggae and jazz fusion.
    Try this
    Play the four-chord plan with short, clipped chords instead of long ones, and compare how the groove feels.
  7. Step 7 · Hear the 1964 band again Now playing

    Herbie Hancock (Sextet, One Night With Blue Note) 1985

    “Cantaloupe Island (Live at Town Hall, New York/1985)”, One Night With Blue Note Volume 1

    The 1964 rhythm section reunited

    Listen for
    Trumpet and tenor saxophone share the front line. The track runs 10:51, about twice the length of the studio take, so the same 16-bar chorus comes around many times.
    Try this
    Play the four-chord plan twice: first with only the root of each chord, then with full four-note chords.
  8. Step 8 · Hear it on guitar Now playing

    Lionel Loueke 2019

    HH

    Guitar and voice

    Listen for
    Guitar and voice are the only credited sounds. The track runs 4:03, shorter than the 5:33 original.
    Try this
    Play the four-chord plan on guitar or piano with one short chord per bar, leaving the rest of the bar silent so the groove has space.

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