Jazz Changes

Juan Tizol and Duke Ellington, music · Irving Mills, lyrics · First recorded by Barney Bigard and His Jazzopators, December 1936

Caravan

Caravan is a 64-bar minor-key tune by Juan Tizol and Duke Ellington, first recorded in 1936. Each A section holds one chord for twelve bars, which gives a soloist room to build ideas. You will hear it from big bands, trios, Latin bands and hard bop groups, and in Whiplash.

▶ Plays the whole path in order, one recording after another.

  1. 1 Hear the first recording Barney Bigard and His Jazzopators
  2. 2 Hear it as a trio Duke Ellington with Charles Mingus and Max Roach
  3. 3 Hear a pianist's version Thelonious Monk
  4. 4 Hear the hard bop arrangement Art Blakey and the Jazz Messengers
  5. 5 Hear a guitar with an orchestra Wes Montgomery with the Johnny Pate Orchestra
  6. 6 Hear it sung Ella Fitzgerald with Duke Ellington
  7. 7 Hear a Latin rhythm section Dizzy Gillespie
  8. 8 Hear the source of the chart Wynton Marsalis

How the tune works

F minorusual key
64 barsA · A · B · A form
F m → A♭ → F mkey centers

Each chorus is 64 bars in F minor, laid out A, A, B, A with 16 bars to a section. Most of each A sits on one chord, C7 (often written C7♭9), the dominant of F minor, held for 12 bars. F minor, the home chord, arrives only for the last 4 bars. The bridge turns to the relative major, A♭, by walking round the circle of fifths: F7 for 4 bars, B♭7 for 4, E♭7 for 4, then A♭ major for 2. G7 and D♭7, one bar each, lead back to C7 for the last A. Charts write the long C7 in several ways, such as C7♭9, C7 with D♭7, or a diminished chord, and they describe the same sound.

The changes under Wynton Marsalis's trumpet solo on Marsalis Standard Time, Vol. 1 (1986), transcribed in the Weimar Jazz Database. Fake books write the long C7 in several ways (C7♭9, C7 with D♭7, or a diminished chord).

Key F minor
Abars 1–16
Bar 1: C7♭9
Bar 2: C7♭9
Bar 3: C7♭9
Bar 4: C7♭9
Bar 5: C7♭9
Bar 6: C7♭9
Bar 7: C7♭9
Bar 8: C7♭9
Bar 9: C7♭9
Bar 10: C7♭9
Bar 11: C7♭9
Bar 12: C7♭9
Bar 13: Fm
Bar 14: Fm
Bar 15: Fm
Bar 16: Fm
A²bars 17–32
Bar 17: C7♭9
Bar 18: C7♭9
Bar 19: C7♭9
Bar 20: C7♭9
Bar 21: C7♭9
Bar 22: C7♭9
Bar 23: C7♭9
Bar 24: C7♭9
Bar 25: C7♭9
Bar 26: C7♭9
Bar 27: C7♭9
Bar 28: C7♭9
Bar 29: Fm
Bar 30: Fm
Bar 31: Fm
Bar 32: Fm
Bbars 33–48
Bar 33: F7
Bar 34: F7
Bar 35: F7
Bar 36: F7
Bar 37: B♭7
Bar 38: B♭7
Bar 39: B♭7
Bar 40: B♭7
Bar 41: E♭7
Bar 42: E♭7
Bar 43: E♭7
Bar 44: E♭7♭9
Bar 45: A♭maj7
Bar 46: A♭maj7
Bar 47: G7
Bar 48: D♭7
A³bars 49–64
Bar 49: C7♭9
Bar 50: C7♭9
Bar 51: C7♭9
Bar 52: C7♭9
Bar 53: C7♭9
Bar 54: C7♭9
Bar 55: C7♭9
Bar 56: C7♭9
Bar 57: C7♭9
Bar 58: C7♭9
Bar 59: C7♭9
Bar 60: C7♭9
Bar 61: Fm
Bar 62: Fm
Bar 63: Fm
Bar 64: Fm

Use the key buttons to move the chart to the key you play in.

Source: Weimar Jazz Database: Wynton Marsalis, Caravan

Listen in this order

Play all 8 on YouTube ↗

You hear the first recording by members of Ellington's band, then Ellington's own trio and Monk's trio. A hard bop sextet, a guitarist with an orchestra, a singer, a Latin rhythm section and a modern quartet follow.

  1. Step 1 · Hear the first recording Now playing

    Barney Bigard and His Jazzopators 1936

    “Caravan (Take 1)”, Variety 78 rpm single

    The first recording

    Listen for
    Seven players take part, and the song's two composers, Ellington on piano and Tizol on trombone, are both in the band. Listen for how long each A section stays on the dominant chord before the minor home chord arrives.
    Try this
    Play C7 on a keyboard or guitar, then F minor, and hear how F minor feels like arriving home. Then count one full A section: C7 for 12 bars, F minor for 4.
  2. Step 2 · Hear it as a trio Now playing

    Duke Ellington with Charles Mingus and Max Roach 1962

    Money Jungle

    Piano trio

    Listen for
    Three players, piano, bass and drums, cover what seven players did on the first recording. Follow the bass through one A section, then listen again for the drums.
    Try this
    Play C7 for 12 bars and F minor for 4 with a steady pulse. Then repeat it with only the root note in your left hand and the chord in your right.
  3. Step 3 · Hear a pianist's version Now playing

    Thelonious Monk 1955

    Thelonious Monk Plays the Music of Duke Ellington

    Piano trio

    Listen for
    The trio has no horns, so the piano carries the tune. The track runs 5:55, so listen for how Monk handles the long stretch on the dominant chord.
    Try this
    If you can play the melody, play it in your right hand over one held left-hand note on C for 12 bars, then move the left hand to F for 4.
  4. Step 4 · Hear the hard bop arrangement Now playing

    Art Blakey and the Jazz Messengers 1962

    Caravan

    Freddie Hubbard's arrangement

    Listen for
    Three horns, trumpet, trombone and tenor saxophone, play over piano, bass and drums, and the track runs 9:47. Try to keep your place in the 16-bar sections as the band goes round the form.
    Try this
    Play the A section chords at a slow tempo: C7 for 12 bars, then F minor for 4. If that is too much, play C7 for 4 bars and F minor for 4.
  5. Step 5 · Hear a guitar with an orchestra Now playing

    Wes Montgomery with the Johnny Pate Orchestra 1964

    Movin' Wes

    Guitar with orchestra

    Listen for
    The track runs 2:36. Pick out the guitar against a large ensemble of trumpets, trombones, tuba and woodwinds, with piano, bass, drums and percussion underneath.
    Try this
    Play the A section chords on guitar or keyboard as a steady pattern: C7 once per bar for 12 bars, then F minor for 4.
  6. Step 6 · Hear it sung Now playing

    Ella Fitzgerald with Duke Ellington and His Orchestra 1957

    Ella Fitzgerald Sings the Duke Ellington Song Book

    Vocal version

    Listen for
    Listen for how the voice takes the lead with Ellington's orchestra behind her. Compare it with the instrumental versions earlier on the path.
    Try this
    Hum the tune while you play the A section chords: C7 for 12 bars, then F minor for 4.
  7. Step 7 · Hear a Latin rhythm section Now playing

    Dizzy Gillespie 1954

    Afro

    Latin rhythm section

    Listen for
    Gillespie plays with flute, piano, bass and four percussionists, including bongos and timbales, and the track runs 7:19. Pick out the bongos and timbales first, then follow the flute and trumpet over them.
    Try this
    Play C7 for 12 bars and F minor for 4 while you tap a steady pulse with your foot. Then try tapping the pulse on the off-beats.
  8. Step 8 · Hear the source of the chart Now playing

    Wynton Marsalis 1986

    Marsalis Standard Time, Vol. 1

    C major · 4/4 · swing · 197 bpm (up) · Source of the chart

    Listen for
    The quartet is trumpet, piano, bass and drums. The trumpet solo runs from 1:31 to 4:08, two choruses of the 64-bar form, at about 197 beats per minute.
    Try this
    Follow the chart bar by bar through the first chorus of the trumpet solo, starting at 1:31. If a full chorus is too long to track, follow just the first A: 12 bars of C7, then 4 of F minor.

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