Jazz Changes

Ray Noble, music and lyrics · First of five movements in his Indian Suite

Cherokee

Cherokee is a 64-bar AABA tune by Ray Noble, first of five movements in his Indian Suite. The bridge passes through B, A and G major, so teachers use it to drill ii–V cadences. Records by Charlie Barnet, Count Basie, Clifford Brown and Bud Powell play it, and Parker's Ko-Ko uses its changes.

▶ Plays the whole path in order, one recording after another.

  1. 1 Hear the swing-era hit Charlie Barnet
  2. 2 Hear the composer's version Ray Noble
  3. 3 Hear the contrafact Charlie Parker’s Reboppers
  4. 4 Hear the hard-bop quintet Clifford Brown and Max Roach Quintet
  5. 5 Hear it as a piano trio Bud Powell Trio
  6. 6 Hear a swing band's two-part version Count Basie
  7. 7 Hear the chart's source Wynton Marsalis
  8. 8 Hear a modern take Kamasi Washington

How the tune works

B♭ majorusual key
64 barsA · A · B · A form
B♭ → B → A → G → B♭key centers

Sixty-four bars in four sections of sixteen, A A B A, in B♭ major. Each A section opens with two bars of B♭maj7, then Fm7 and B♭7 lead to two bars of E♭maj7 and two bars of A♭7. Bar 9 is B♭maj7, bar 10 stays on B♭maj7 or moves to Gm7 depending on the reading, and bars 11 and 12 play C7. The first A closes with a turnaround, Cm7 B° Cm7 F7, and the second and last A close with Cm7 F7 and two bars of B♭6. The bridge is a chain of ii–V cadences, one chord per bar: C♯m7 F♯7 into two bars of B major, Bm7 E7 into two bars of A major, and Am7 D7 into two bars of G major. Gm7 C7 Cm7 F7 then bring the form back to B♭ for the last A.

The changes under Wynton Marsalis's trumpet solo on Marsalis Standard Time, Vol. 1 (1986), transcribed in the Weimar Jazz Database. Published sheets hold B♭maj7 through bar 10 of each A, where the transcription has Gm7.

Key B♭ major
Abars 1–16
Bar 1: B♭maj7
Bar 2: B♭maj7
Bar 3: Fm7
Bar 4: B♭7
Bar 5: E♭maj7
Bar 6: E♭maj7
Bar 7: A♭7
Bar 8: A♭7
Bar 9: B♭maj7
Bar 10: Gm7
Bar 11: C7
Bar 12: C7
Bar 13: Cm7
Bar 14: B°
Bar 15: Cm7
Bar 16: F7♯5
A²bars 17–32
Bar 17: B♭maj7
Bar 18: B♭maj7
Bar 19: Fm7
Bar 20: B♭7
Bar 21: E♭maj7
Bar 22: E♭maj7
Bar 23: A♭7
Bar 24: A♭7
Bar 25: B♭maj7
Bar 26: Gm7
Bar 27: C7
Bar 28: C7
Bar 29: Cm7
Bar 30: F7
Bar 31: B♭6
Bar 32: B♭6
Bbars 33–48
Bar 33: C♯m7
Bar 34: F♯7
Bar 35: Bmaj7
Bar 36: Bmaj7
Bar 37: Bm7
Bar 38: E7
Bar 39: Amaj7
Bar 40: Amaj7
Bar 41: Am7
Bar 42: D7
Bar 43: Gmaj7
Bar 44: Gmaj7
Bar 45: Gm7
Bar 46: C7
Bar 47: Cm7
Bar 48: F7♯5
A³bars 49–64
Bar 49: B♭maj7
Bar 50: B♭maj7
Bar 51: Fm7
Bar 52: B♭7
Bar 53: E♭maj7
Bar 54: E♭maj7
Bar 55: A♭7
Bar 56: A♭7
Bar 57: B♭maj7
Bar 58: Gm7
Bar 59: C7
Bar 60: C7
Bar 61: Cm7
Bar 62: F7
Bar 63: B♭6
Bar 64: B♭6

Use the key buttons to move the chart to the key you play in.

Source: Weimar Jazz Database: Wynton Marsalis, Cherokee

Listen in this order

Play all 8 on YouTube ↗

The path starts with Charlie Barnet's 1939 hit and Ray Noble's own 1938 record, then follows the changes through Parker's Ko-Ko, Clifford Brown, Bud Powell and Count Basie. It ends with Wynton Marsalis's 1986 quartet, the source of the chart, and Kamasi Washington's version from the 2011 sessions for The Epic.

  1. Step 1 · Hear the swing-era hit Now playing

    Charlie Barnet and His Orchestra 1939

    Listen for
    The credits list five saxophones, three trumpets and three trombones over guitar, piano, bass and drums. Try to pick out the three horn sections as they play.
    Try this
    Play the 16-bar first A section from the chart at the piano or guitar before the record starts, one chord per bar. Smaller version: play only the root of each chord, one per bar.
  2. Step 2 · Hear the composer's version Now playing

    Ray Noble and His Orchestra 1938

    Listen for
    The credits list three violins, four reed players, three trumpets, two trombones, guitar and drums. Listen for the violins next to the reeds and brass.
    Try this
    Play the bridge from the chart, one chord per bar: C♯m7 F♯7 Bmaj7 Bmaj7, Bm7 E7 Amaj7 Amaj7, Am7 D7 Gmaj7 Gmaj7. Smaller version: play only the roots, C♯ F♯ B B, then B E A A, then A D G G.
  3. Step 3 · Hear the contrafact Now playing

    Charlie Parker’s Reboppers 1945

    “Ko-Ko”

    B♭ major · 4/4 · swing · 299 bpm (up)

    Listen for
    The Weimar Jazz Database transcribes Parker's alto solo as 77 seconds near 299 beats per minute, with the Cherokee bridge in its chord list. Listen for Max Roach on drums and Curly Russell on bass underneath.
    Try this
    Play the 16-bar bridge from the chart slowly, one chord per bar, then listen for the same chords under Parker's solo. Smaller version: play only the roots of the first eight bars, C♯ F♯ B B, then B E A A. The record runs near 299 beats per minute, so play the bridge at your own tempo first.
  4. Step 4 · Hear the hard-bop quintet Now playing

    Clifford Brown and Max Roach Quintet 1955

    “Cherokee (Indian Love Song)”, Study in Brown

    Listen for
    Five players: Clifford Brown on trumpet, Harold Land on tenor saxophone, Richie Powell on piano, George Morrow on bass and Max Roach on drums. Try to follow each one in turn.
    Try this
    Count the 64-bar form against the record, with the bridge starting at bar 33. Smaller version: listen only for the bridge, where the chords pass through B, A and G major.
  5. Step 5 · Hear it as a piano trio Now playing

    Bud Powell Trio 1949

    The Jazz Scene

    Listen for
    Three players only: Bud Powell on piano, Ray Brown on bass and Max Roach on drums. Listen for what each one does in the 3 minutes 42 seconds.
    Try this
    At the piano, play the 16-bar first A section with the left hand on the root and the right hand on the third and seventh of each chord. Smaller version: play only the roots.
  6. Step 6 · Hear a swing band's two-part version Now playing

    Count Basie and His Orchestra 1939

    “Cherokee (Parts 1 & 2)”

    Listen for
    The tune runs in two parts, 3:12 and 3:05 on The Complete Decca Recordings. Listen for the rhythm section of Count Basie on piano, Freddie Green on guitar, Walter Page on bass and Jo Jones on drums.
    Try this
    Count the 64-bar chorus with the record and tap the downbeat of each 16-bar section. Smaller version: tap every four bars.
  7. Step 7 · Hear the chart's source Now playing

    Wynton Marsalis 1986

    Marsalis Standard Time, Vol. 1

    B♭ major · 4/4 · swing · 338 bpm (up)

    Listen for
    The Weimar Jazz Database transcribes Marsalis's trumpet solo as two choruses of about 93 seconds near 338 beats per minute. Listen for Marcus Roberts on piano, Robert Leslie Hurst III on bass and Jeff Watts on drums.
    Try this
    Follow the chart with your eyes while the record plays and say each chord as it arrives. Playing along needs a very fast tempo, so the smaller version is to point at the start of each 16-bar section: bars 1, 17, 33 and 49.
  8. Step 8 · Hear a modern take Now playing

    Kamasi Washington 2011

    The Epic

    Listen for
    Listen for the vocal part by Patrice Quinn next to Kamasi Washington's tenor saxophone and Ryan Porter's trombone.
    Try this
    Listen once without the chart. Then listen again and note the first place the opening section comes back. Smaller version: tap a steady pulse and count how many minutes pass before the opening section returns.

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