John Coltrane, music · Title track of his first Atlantic album as leader, recorded in New York, May 1959
Giant Steps
Giant Steps is a 16-bar tune by John Coltrane that moves through three key centers a major third apart. Players treat it as a test piece because its chords change every couple of beats, usually at a fast tempo. You will hear it on records by Coltrane, Tommy Flanagan, Gonzalo Rubalcaba, Pat Metheny and Camille Bertault.
▶ Plays the whole path in order, one recording after another.
How the tune works
A single 16-bar chorus with no repeated sections and no bridge. The chords pass through three key centers, B major, G major and E♭ major, and each one sits a major third below the one before. Bar 1 starts on B major (Bmaj7), and its D7 points to G major, which arrives in bar 2. The B♭7 in bar 2 points to E♭ major in bar 3. Two-chord moves such as Am7 D7, Fm7 B♭7 and C♯m7 F♯7 then lead into G, E♭ and B in turn, and the last bar, C♯m7 F♯7, leads back to B for the next chorus. Sources differ on the home key: the Weimar Jazz Database lists E♭ major, while Learn Jazz Standards and Hooktheory give B major. This page uses B major because the tune opens on a B major chord.
The changes under John Coltrane's solo on Giant Steps (1959), transcribed in the Weimar Jazz Database. Three key centers a major third apart: B, G and E♭.
Use the key buttons to move the chart to the key you play in.
Listen in this order
Play all 8 on YouTube ↗The path starts with Coltrane's May 1959 recording and a slower take from March. It then follows the changes through a pianist's 1982 return, a saxophone and drums duo, a vocalese setting, a guitar trio, a piano trio and a 2014 session.
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Step 1 · Learn the song Now playing
John Coltrane 1959
Giant Steps
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- Listen for
- Count the 16-bar choruses. Coltrane's solo starts about 23 seconds in and runs 11 choruses, and each one moves through the same three keys, B, G and E♭. Tommy Flanagan also takes a piano solo.
- Try this
- Play three chords in a row, Bmaj7, Gmaj7 and E♭maj7, holding each for a bar, then listen for those three sounds in the opening bars of the recording. The chart writes Bmaj7 as C♭maj7. Smaller version: play only the root notes B, G and E♭.
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Step 2 · Hear it slower Now playing
John Coltrane 1959
“Giant Steps (Alternate, Take 8)”, Alternate Takes
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- Listen for
- The slower tempo gives each chord change more room than the album version does. Listen for whether the piano takes a solo; Wikipedia reports that Walton declined to solo on these takes.
- Try this
- Play along with the first two bars of the chart, Bmaj7 then D7, then Gmaj7 then B♭7, two beats per chord. Smaller version: play only the roots, B, D, G and B♭.
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Step 3 · Hear the pianist return Now playing
Tommy Flanagan 1982
Giant Steps
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- Listen for
- The trio has piano, bass and drums and no saxophone. The track runs 6:14, so count how many 16-bar choruses fit.
- Try this
- Play the first four bars of the chart slowly: Bmaj7 D7, Gmaj7 B♭7, E♭maj7, then Am7 D7, giving two beats to each chord when a bar has two. Smaller version: play only the first chord of each bar.
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Step 4 · Hear it without chords Now playing
Max Roach and Archie Shepp 1979
The Long March
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- Listen for
- Only a tenor saxophone and drums play, so no instrument states the chords. The track runs about five and a half minutes.
- Try this
- Play the root of each chord in the first four bars of the chart on a keyboard, one note per chord, while the track plays. Smaller version: play only B, G and E♭ for the first three bars.
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Step 5 · Hear it sung Now playing
Camille Bertault 2017
“Là où tu vas”, Pas de géant
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- Listen for
- A single voice sings French words to Coltrane's solo. The track runs 4:34, so count how many 16-bar choruses fit.
- Try this
- Sing the root of each chord on one syllable through the first four bars of the chart, slowly, then sing along with the recording. Smaller version: sing only B, G and E♭ for the first three bars.
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Step 6 · Hear a new groove Now playing
Pat Metheny Trio 1999
Trio 99→00
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- Listen for
- Coltrane's 1959 recording swings at a mean tempo near 290 beats per minute. This version plays over a light bossa groove, and it runs 7:54.
- Try this
- Play the first four bars of the chart slowly, one chord per bar, using the first chord of each bar: Bmaj7, Gmaj7, E♭maj7 and Am7. Smaller version: play only the root notes B, G, E♭ and A.
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Step 7 · Hear a piano trio Now playing
Gonzalo Rubalcaba 1991
The Blessing
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- Listen for
- A trio of piano, bass and drums, recorded in Toronto in May 1991. The track runs 5:26, so count how many 16-bar choruses fit.
- Try this
- Play bars 5 to 8 of the chart one chord at a time, slowly: Gmaj7 B♭7, E♭maj7 F♯7, Bmaj7, then Fm7 B♭7. Smaller version: play only the first chord of each bar.
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Step 8 · Hear a recent trio Now playing
Joey Alexander 2014
My Favorite Things
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- Listen for
- This trio plays for 10:15, a long track. Count how many 16-bar choruses fit.
- Try this
- Play the whole 16-bar chart once, slowly, using the first chord of each bar. Smaller version: play only bars 1 to 4, or sing the root of each bar.
More great versions
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Woody Herman and His Orchestra 1973
Giant Steps
The Woody Herman band's 1973 album Giant Steps carries the first big band arrangement of the tune, written by trumpeter Bill Stapleton.
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Meredith d'Ambrosio 1985
It's Your Dance
Meredith d'Ambrosio sings the tune with her own lyric on her 1985 album It's Your Dance, and it is the first track.
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Kenny Garrett 1994
Triology
Kenny Garrett plays alto saxophone in a trio with Kiyoshi Kitagawa on bass and Brian Blade on drums, with no chord instrument.
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Mike Stern 1997
Give and Take
Guitarist Mike Stern plays it in a trio with John Patitucci on bass and Jack DeJohnette on drums on his 1997 album Give and Take.
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Pat Metheny Trio 2000
“Giant Steps (Live Version)”, Trio → Live
The same trio as the studio album plays it live on Trio → Live, a 2000 release recorded in 1999 and 2000.
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Paquito D'Rivera Quintet 2007
Funk Tango
Paquito D'Rivera's quintet ends the album Funk Tango with this tune.