Jazz Changes

Antônio Carlos Jobim, music · Vinícius de Moraes, Portuguese lyrics · Norman Gimbel, English lyrics · First commercial recording by Pery Ribeiro

The Girl from Ipanema

The Girl from Ipanema is a bossa nova song by Antônio Carlos Jobim, written in 1962. Players love its 16-bar bridge, which moves through three keys without playing the home chord of any. It is believed to be the second most recorded pop song in history and turns up in many films.

▶ Plays the whole path in order, one recording after another.

  1. 1 Learn the song Stan Getz & João Gilberto
  2. 2 Hear the composer's version Antônio Carlos Jobim
  3. 3 Hear it live Herbie Mann
  4. 4 Hear a jazz trio Oscar Peterson Trio
  5. 5 Hear a classic pop singer Nat King Cole
  6. 6 Hear Getz with an orchestra Stan Getz with Arthur Fiedler and the Boston Pops Orchestra
  7. 7 Hear a pop singer Frank Sinatra & Antônio Carlos Jobim
  8. 8 Hear a solo guitar Pat Metheny

How the tune works

F majorusual key
40 barsA · A · B · A form
F → D♭ → E → Fkey centers

The tune runs 40 bars: two 8-bar A sections, a 16-bar bridge and a final A, longer than the usual 32. The A sections stay in F. They move from Fmaj7 to G7, then Gm7 slides down to G♭7 and back to Fmaj7, and the first and last A end on a G♭7 that turns the music around. The second A stays on Fmaj7 instead, so the bridge arrives with a jolt. The bridge opens a half step up on G♭maj7, a chord from D♭ major, and B7 follows. F♯m7 and D7 lean toward E major. Gm7 then brings the harmony back to F, and Am7 D7 Gm7 C7 lead into the last A. Brazilian players often use D♭ for the whole tune, and most American players use F.

One published harmonic analysis in F major: 40 bars in lines of four. Two 8-bar A sections and a final A frame a 16-bar bridge that starts a half step above the home key. Key tags mark where the bridge passes through D♭ major, E major and back to F.

Key F major
Abars 1–8
Bar 1: F majorFmaj7
Bar 2: Fmaj7
Bar 3: G7
Bar 4: G7
Bar 5: Gm7
Bar 6: G♭7
Bar 7: Fmaj7
Bar 8: G♭7
Abars 9–16
Bar 9: Fmaj7
Bar 10: Fmaj7
Bar 11: G7
Bar 12: G7
Bar 13: Gm7
Bar 14: G♭7
Bar 15: Fmaj7
Bar 16: Fmaj7
Bbars 17–32
Bar 17: D♭ majorG♭maj7
Bar 18: G♭maj7
Bar 19: B7
Bar 20: B7
Bar 21: E majorF♯m7
Bar 22: F♯m7
Bar 23: D7
Bar 24: D7
Bar 25: F majorGm7
Bar 26: Gm7
Bar 27: E♭7
Bar 28: E♭7
Bar 29: Am7
Bar 30: D7♯5
Bar 31: Gm7
Bar 32: C7♯5
Abars 33–40
Bar 33: Fmaj7
Bar 34: Fmaj7
Bar 35: G7
Bar 36: G7
Bar 37: Gm7
Bar 38: G♭7
Bar 39: Fmaj7
Bar 40: G♭7

Taken from an online harmonic analysis, not a printed lead sheet. The source names the G7 and G♭7 chords of the A section as G7♯11 and G♭7♯11, gives the bridge's second chord as C♭7 or B7 and says the two altered dominants at the end of the bridge can be played as 7♯5 chords. It states the order of the chords and the section lengths; two bars per chord in the bridge follows from its 16 bars. The first and last A end on G♭7, and the second A stays on Fmaj7. Piano With Jonny and Jazzadvice agree on the 40 bars, the 16-bar bridge and its path through D♭ major, E major and F. The Getz/Gilberto album track is in D♭ major, so a chart in F needs transposing to follow it. Compare the chart with the one you play from and with the recording.

Source: Learn Jazz Standards: The Girl From Ipanema Chords

Listen in this order

Play all 8 on YouTube ↗

Eight versions that start with the record that made the song famous and the composer's own instrumental. Next come a live flute band, a piano trio, Nat King Cole, Getz with an orchestra, Sinatra with Jobim and a solo guitar from 2011. Each one puts the same tune in a different setting.

  1. Step 1 · Learn the song Now playing

    Stan Getz & João Gilberto (with Astrud Gilberto and Antônio Carlos Jobim) 1963

    Getz/Gilberto

    D♭ major · bossa nova · Astrud Gilberto's vocal debut

    Listen for
    João Gilberto sings in Portuguese and Astrud Gilberto sings in English, both in a quiet, almost whispered style. Jobim's piano plays only what the music needs.
    Try this
    Play the first eight bars of the chart on this page at a slow tempo, then hum the tune over them.
  2. Step 2 · Hear the composer's version Now playing

    Antônio Carlos Jobim (arranged and conducted by Claus Ogerman) 1963

    The Composer of Desafinado, Plays

    bossa nova · The composer's own version

    Listen for
    There is no singer. Follow the strings that Claus Ogerman arranged and the double bass and drums under them.
    Try this
    Play the melody slowly on your instrument without words, then play it again over the first eight bars of the chart on this page.
  3. Step 3 · Hear it live Now playing

    Herbie Mann 1963

    “Garota de Ipanema (Live at Newport Jazz Festival, July 7, 1963)”, Herbie Mann Live at Newport

    Live at Newport, 1963

    Listen for
    A flute leads a band with vibraphone, piano, guitar, bass and drums. Follow one instrument at a time through the track and note who plays the tune and who accompanies.
    Try this
    Pick one instrument in the band, such as the vibraphone or the bass, and write down the time when it first enters. A smaller version: write down when the flute first plays.
  4. Step 4 · Hear a jazz trio Now playing

    Oscar Peterson Trio 1964

    “The Girl from Ipanema (Garota de Ipanema)”, We Get Requests

    Piano trio, no horns

    Listen for
    Piano, double bass and drums play the tune with no singer. Listen to what Ray Brown on bass and Ed Thigpen on drums do under the piano.
    Try this
    Play the first eight bars of the chart on this page, then play them again while singing or humming the tune. A smaller version: play only the root of each chord on the bass or the low end of the keyboard.
  5. Step 5 · Hear a classic pop singer Now playing

    Nat King Cole 1964

    L-O-V-E

    Nat King Cole's last session

    Listen for
    Nat King Cole sings with an orchestra arranged and conducted by Ralph Carmichael. Hum the tune along with him and notice where his phrasing differs from yours.
    Try this
    Hum or sing the tune along with Cole, then play the first eight bars of the chart on this page.
  6. Step 6 · Hear Getz with an orchestra Now playing

    Stan Getz with Arthur Fiedler and the Boston Pops Orchestra 1966

    “The Girl from Ipanema (with Arthur Fiedler & Boston Pops Orchestra)”, The Essential Stan Getz: The Columbia Years

    Getz with an orchestra

    Listen for
    Follow Getz's tenor saxophone first, then listen for Gary Burton's vibraphone and Jim Hall's guitar. The Boston Pops Orchestra plays behind them under Arthur Fiedler.
    Try this
    Listen twice. First follow only the orchestra, then follow only the quintet, and write down which of the two plays the opening bars.
  7. Step 7 · Hear a pop singer Now playing

    Frank Sinatra & Antônio Carlos Jobim 1967

    Francis Albert Sinatra & Antonio Carlos Jobim

    bossa nova · Sinatra with Jobim

    Listen for
    Sinatra sings over a bossa nova rhythm in Claus Ogerman's arrangement. Compare his phrasing with Astrud Gilberto's on the Getz/Gilberto track.
    Try this
    Sing or hum the tune along with Sinatra, then play the first eight bars of the chart on this page.
  8. Step 8 · Hear a solo guitar Now playing

    Pat Metheny 2011

    “Garota de Ipanema”, What's It All About

    Solo guitar

    Listen for
    One baritone guitar carries the whole performance. Listen for how a single instrument covers both the tune and the chords.
    Try this
    Play the melody alone on your instrument, adding one chord from the chart on this page at the start of each bar. A smaller version: play only the first eight bars of the chart at a slow, steady tempo.

More great versions