Jazz Changes

Richard Rodgers, music · Oscar Hammerstein II, lyrics · From the 1959 Broadway musical The Sound of Music

My Favorite Things

My Favorite Things is a waltz from the 1959 musical The Sound of Music, with music by Richard Rodgers and words by Oscar Hammerstein II. Players love it because John Coltrane's 1960 recording turned it into a long, open vamp that holds the tune and lets soloists stretch out for ten minutes or more. You will hear it in jazz sets as a waltz in E minor, in Coltrane-style vamp versions, and in many Christmas-season recordings.

▶ Plays the whole path: 8 recordings in order. Use the player's next button to skip ahead.

  1. 1 Learn the song Mary Martin and Patricia Neway
  2. 2 Hear the landmark John Coltrane
  3. 3 Hear it stretch John Coltrane Quartet
  4. 4 Hear it small and short The Dave Brubeck Quartet
  5. 5 Hear it on guitar Grant Green
  6. 6 Hear it alone McCoy Tyner
  7. 7 Hear a modern solo reading Brad Mehldau
  8. 8 Hear where it went John Coltrane

How the tune works

E minorusual key
72 barsA · A · B · C form
E minor · G major · E majorkeys it moves between

The written song is a 72-bar waltz in four parts. The first part (A) is 16 bars and is played twice. Each time it opens with eight bars in E minor, then moves toward G major and ends with two chords that pull back to E minor. The third part (B) has the same shape but starts with eight bars in E major. The last part (C) runs 24 bars: it starts in E minor, then settles in G major, where the song resolves. Coltrane's quartet leaves those changes behind for the solos. The melody is heard several times, but Tyner and Coltrane solo over vamps on the two tonic chords, E minor and E major. The Weimar Jazz Database analyses Coltrane's soprano solo as one chord, E minor 7, all the way through. His later live versions run from 17 to 20 minutes.

Each box is one bar of 3/4. Play the A strain twice, then B, then C. A tag marks the bar where the harmony moves to a new key.

Key E minor
Abars 1–16, played twice (bars 1–32)
E minorEm7
F♯m7
Em7
F♯m7
Cmaj7
Cmaj7
Cmaj7
Cmaj7
G majorAm7
D7
Gmaj7
Cmaj7
Gmaj7
Cmaj7
F♯m7♭5
B7
Bbars 33–48
E majorEmaj7
F♯m7
Emaj7
F♯m7
Amaj7
Amaj7
Amaj7
Amaj7
G majorAm7
D7
Gmaj7
Cmaj7
Gmaj7
Cmaj7
F♯m7♭5
B7♭9
Cbars 49–72
E minorEm7
Em7
F♯m7♭5
B7
Em7
Em7
Cmaj7
Cmaj7
G majorCmaj7
Cmaj7
A7
A7
Gmaj7
Cmaj7
Am7
D7
G6
Cmaj7
G6
Cmaj7
Gmaj7
Cmaj7
F♯m7♭5
B7

Changes from a free online lead sheet in Real Book style; fake books differ in small ways. Coltrane's quartet solos over vamps on E minor and E major instead of these changes. The last two bars of the A and C strains turn back to E minor.

Source: Lead sheet, My Favorite Things (Real Book-style chart, swiss-jazz.ch)

Listen in this order

Play all 8 on YouTube ↗

Start with the song as the show wrote it, then hear Coltrane turn it into vamp music. The next versions show other instruments and eras reading the same tune, and the last one is Coltrane's own most open take.

  1. Step 1 · Learn the song

    Mary Martin and Patricia Neway (original Broadway cast) 1959

    The Sound of Music: Original Broadway Cast Recording

    Listen for
    Hear the tune as the writers made it, sung in waltz time with no improvising. Learn how it moves before any jazz player changes it.
    Try this
    Sing or hum the tune with the recording until you can play it from memory on your instrument.
  2. Step 2 · Hear the landmark

    John Coltrane 1960

    My Favorite Things

    E minor · 3/4 · swing · 179 bpm (medium up) · Soprano sax over a vamp

    Listen for
    The band plays the theme, then settles into a vamp for each solo. Listen for the switch between E minor and E major, and for how Elvin Jones keeps the waltz moving under both soloists.
    Try this
    Loop an Em7 vamp in waltz time and improvise on it for a few minutes. Then switch the vamp to E major and keep going.
  3. Step 3 · Hear it stretch

    John Coltrane Quartet 1963

    “My Favorite Things (Live At Newport Jazz Festival, Newport, RI, 7/7/1963)”, Selflessness Featuring My Favorite Things

    Listen for
    The same vamp plan now lasts seventeen minutes. Notice how each soloist builds the energy and how the rhythm section follows.
    Try this
    Improvise on one vamp for five minutes and plan three stages: quiet, building, loud.
  4. Step 4 · Hear it small and short

    The Dave Brubeck Quartet 1965

    My Favorite Things

    Listen for
    The trio plays the tune and finishes in under three minutes. Compare that with Coltrane's long vamps.
    Try this
    Play the tune with a bass and drums: one chorus for the tune, one for a solo, then stop at three minutes.
  5. Step 5 · Hear it on guitar

    Grant Green 1964

    Matador

    Listen for
    Tyner and Jones play behind a guitarist the kind of waltz groove they played behind Coltrane. Listen to how Green's single-note lines sit on top of it.
    Try this
    Play the tune on a single-line instrument over a piano vamp in waltz time. Keep your solo phrases short and leave space.
  6. Step 6 · Hear it alone

    McCoy Tyner 1972

    Echoes of a Friend

    Listen for
    One pianist covers what four players covered in 1960. Listen for what the left hand does to keep the waltz moving while the right hand plays the tune and solos.
    Try this
    Play a left-hand vamp in E minor in waltz time, then add the tune with your right hand.
  7. Step 7 · Hear a modern solo reading

    Brad Mehldau 2006

    “My Favorite Things (Live)”, Live in Marciac

    Listen for
    Compare this with Tyner's solo. Notice what a pianist of a later generation does with the same tune in six and a half minutes.
    Try this
    Play the tune alone, then play it again with a different left-hand pattern, and compare the two.
  8. Step 8 · Hear where it went

    John Coltrane 1966

    “My Favorite Things (Live From Village Vanguard/1966)”, Live at the Village Vanguard Again!

    Listen for
    Compare Rashied Ali's drumming with Elvin Jones's in 1960, and notice that two horns now share the solos.
    Try this
    Play the theme, then improvise with no set chords and no set length. Stop when you run out of ideas.

More great versions