Jazz Changes

Victor Young, music · Ned Washington, lyrics · From the 1949 film My Foolish Heart

My Foolish Heart

My Foolish Heart is a ballad by Victor Young, with words by Ned Washington, written for the 1949 film of the same name. Players like its singable melody and chord changes that invite reharmonizing, and many listeners first know it from Bill Evans's 1961 trio recording. You hear it as a piano trio feature, as a vocal ballad, and on many singers' and instrumentalists' ballad albums.

▶ Plays the whole path: 8 recordings in order. Use the player's next button to skip ahead.

  1. 1 Learn the song Billy Eckstine
  2. 2 Hear the landmark trio ballad Bill Evans Trio
  3. 3 Hear the lyric with Evans at the piano Tony Bennett & Bill Evans
  4. 4 Hear a long live reading Keith Jarrett, Gary Peacock & Jack DeJohnette
  5. 5 Hear a horn take the tune Chet Baker
  6. 6 Hear the tune with an orchestra Oscar Peterson Trio with Nelson Riddle's Orchestra
  7. 7 Hear the tune as solo guitar John McLaughlin
  8. 8 Hear tenor sax and trio at length Ahmad Jamal

How the tune works

B♭ majorusual key
32 barsA · B · A · C form
B♭ → E♭ → G minor → B♭key centers

The tune runs 32 bars in four eight-bar sections. The first A section stays in B♭, with a brief move toward D in bar 4 and a closing ii–V in bar 8. The B section visits E♭ and G minor, then returns to B♭. The second A section repeats the first except for its last two bars, which lead into G minor. The C section is a new closing section: it slides through E♭ minor and A♭7 into B♭, then runs a chain of ii–V and dominant chords that ends on a turnaround. Key bars: 9 in B♭ (bars 1 to 9), 2 in E♭ (bars 10 to 11), 3 in G minor (bars 12 to 14), 18 in B♭ (bars 15 to 32), which adds up to 32.

Read each line as four bars. Two chords in one bar share it equally. A key tag marks the first bar where a new key area arrives. The tune starts on a short pickup, then bar 1 begins on B♭maj7.

Key B♭ major
Abars 1–8
B♭B♭maj7E♭maj7
Dm7G7
Cm7
Em7A7
Dm7D7♯9
Gm7
Cm7
Cm7♭5F7♭9
Bbars 9–16
B♭maj7
E♭Fm7B♭7
E♭maj7
G minorAm7♭5D7
Gm7D7♯9
Gm7C7
B♭Cm7G7
Cm7F7
Abars 17–24
B♭maj7E♭maj7
Dm7G7
Cm7
Em7A7
Dm7D7♯9
Gm7
Cm7Cm7/B♭
Am7♭5D7
Cbars 25–32
Gm7Gm7/F
E♭m7A♭7
B♭maj7E♭maj7
Dm7♭5G7
Cm7G7
C7F7
B♭maj7Gm7
Cm7F7

Source is one online lead sheet made for B♭ instruments, written in C. Its chords are moved down a whole step here to the usual concert key of B♭ (the transposition is mine, so check it against your own chart). Sources disagree on key: JazzStandards.com gives the original as C, the Real Book and Standard Repertoire use B♭, and Evans played it in A. The form (32 bars, A B A C) agrees with Standard Repertoire and JazzStandards.com. Reharmonizations differ a lot between players; this chart is one jazz version and may differ from the original sheet-music changes. The key regions in the form strip follow this chart.

Source: My Foolish Heart, lead sheet (B♭-instrument edition), Go Jazz user documents (MuseScore export, betty32321)

Listen in this order

Play all 8 on YouTube ↗

The path starts with the song as a pop ballad, then moves through the Bill Evans trio, Evans with Tony Bennett and Keith Jarrett's long live reading. The last four steps add a trumpet quartet, a piano trio with orchestra, solo guitar and a tenor saxophone with a trio.

  1. Step 1 · Learn the song

    Billy Eckstine 1950

    My Foolish Heart /

    Listen for
    Follow the form as the singer and orchestra play it straight: an opening section, a second section, the opening again, then a different closing section. Sing the shape back to yourself as A, B, A, C.
    Try this
    Sing the melody along with the record until you know all four sections. Then play it from memory on your instrument, slowly.
  2. Step 2 · Hear the landmark trio ballad

    Bill Evans Trio 1961

    Waltz for Debby

    A major

    Listen for
    LaFaro's bass plays lines of its own that answer the piano. Hear how the three players share the tune.
    Try this
    Play the first eight bars slowly with only the melody and one bass note per bar. Then add one chord tone at a time until the harmony is full.
  3. Step 3 · Hear the lyric with Evans at the piano

    Tony Bennett & Bill Evans 1975

    The Tony Bennett/Bill Evans Album

    Listen for
    Listen to how Evans accompanies a singer. Follow the words line by line to hear where the piano speaks.
    Try this
    Play the chords with one chord per bar while you sing or hum the tune, then add a short answer in the rest at the end of each line.
  4. Step 4 · Hear a long live reading

    Keith Jarrett, Gary Peacock & Jack DeJohnette 2001

    My Foolish Heart: Live at Montreux

    Listen for
    At this length the form comes around more than once. Count the 32-bar choruses and listen for the point where each one begins.
    Try this
    Play along with the chart and say the section letter (A, B, A, C) at the top of each eight bars until you can stay on the form for three choruses.
  5. Step 5 · Hear a horn take the tune

    Chet Baker 1986

    Cool Cat

    Listen for
    The trumpet leads and the piano trio stays behind it. Follow the sections (A, B, A, C) and listen for the change where the closing C section begins.
    Try this
    Play or sing the first A section and hold one long note at the end of each four-bar line. Rest for a full beat before the next phrase.
  6. Step 6 · Hear the tune with an orchestra

    Oscar Peterson Trio with Nelson Riddle's Orchestra 1963

    Oscar Peterson & Nelson Riddle

    Listen for
    Compare this with the Evans trio. A full orchestra of horns, flutes and cellos plays written parts here. Listen for how those parts sit around the trio.
    Try this
    Write a simple pad for the last eight bars, one whole note chord per bar, and play it softly under the melody.
  7. Step 7 · Hear the tune as solo guitar

    John McLaughlin 1978

    Electric Guitarist

    Listen for
    A single guitar plays melody and chords at once. Listen for how it fits bass notes, chords and melody into one line of sound.
    Try this
    Play the first eight bars as chord-melody on guitar or piano, with the melody on top and the root and third of each chord underneath.
  8. Step 8 · Hear tenor sax and trio at length

    Ahmad Jamal 2000

    “My Foolish Heart (feat. George Coleman, Idris Muhammad & James Cammack) [Live]”, A l'Olympia

    Listen for
    Coleman plays tenor with Jamal's trio behind him. Listen to his low register and count how many choruses the quartet plays.
    Try this
    Tap four-bar lines and mark each return of the opening section as you listen. Try to follow the form through the whole track.

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